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However, the song "No Quarter" is often misunderstood to refer to the god Thor; the song actually refers to Mount Thor (which is named after the god). Welsh mythology also forms a basis of Plant's interest in mystical lyrics.He grew up close to the Welsh border and would often take summer trips to Snowdonia.The band's eponymous debut album hit the charts in 1969 and is widely credited as a catalyst for the heavy metal genre.Plant has commented that it is unfair for people to think of Zeppelin as heavy metal, as almost a third of their music was acoustic.He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes (General Certificates of Education) and to become part of the English Midlands blues scene."I left home at 16", he said, "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to".

This significantly affected the production of Led Zeppelin's seventh album Presence for a few months while he recovered, and forced the band to cancel the remaining tour dates for the year.

And then, on the second LP, he wrote the words of Thank You. Most notably "The Battle of Evermore", "Misty Mountain Hop","No Quarter", "Ramble On" and "Over the Hills and Far Away" contain verses referencing Tolkien's The Lord of the Rings and The Hobbit.

He said, "I'd like to have a crack at this and write it for my wife." Plant's lyrics with Led Zeppelin were often mystical, philosophical and spiritual, alluding to events in classical and Norse mythology, such as "Immigrant Song", which refers to Valhalla and Viking conquests. Conversely, Plant sometimes used more straightforward blues-based lyrics dealing primarily with sexual innuendo, as in "The Lemon Song", "Trampled Under Foot", and "Black Dog".

That was all the ambience I got at ten years old... And I always wanted to be a curtain, a bit similar to that.

He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early rendition of songs in this genre.

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